
Char at the lake
Today, Charlene and I celebrated two years together of marriage. I remember getting up early on our wedding day to walk around the Arboretum under a deep blue sky as the leaves were beginning to change.
Somehow about two years of marriage and ten years of knowing each other, it feels like everything is just beginning.

General Petraeus
The ever-present challenge of covering politics in DC is
breaking through the wall of "the message." Events are staged to best
convey that message: words are suitably conciliatory or vitriolic and
backdrops are color-coded and placed to maximize their airtime on television. I think it's part of being a good photojournalist to make a photo that reflects the person, the political climate and captures something timeless about this moment in history, rather than playing into the controlled message being presented.
One of the few times these machinations are stripped away is
in the hearing room. While it's an opportune place for politicians to
grandstand and to recite long-winded questions that are more rhetoric
than question, it is still just a man or woman sitting at a desk
answering questions. And this presents one of the most challenging
opportunities to make a lasting image, but it also presents one of the
few times when covering politics is a contemplative, unhurried
practice.
If you've spent any
time covering politics in DC, you've become comfortable sitting in the
well - that carpeted space between the politicians and the substantial wooden table where the witness sits. This
time is spent waiting for gesture, for expressions and ultimately for
meaning in the witness's visual actions. It is also time spent cursing
the ill-placed water bottles that break up clean lines and the stacks
of papers that blow out under the harsh television lights.
For a newsworthy hearing, photographers will have spots
marked with tape and the first few hours are punctuated by the clatter
of motor drives as the wire photographers compete to get something
usable that they can transmit. As the hearing reaches the late
afternoon, the space empties out
and it becomes easier to pursue different positions and here the real
work begins. It's so difficult to find something meaningful here - it's
too simple, too cluttered, too obvious. But ultimately it's about seeing the space and the person in a new way and trying to make an image both relevant and timeless.

When I asked Alan Greenspan the secret to his success, he looked up at me over the top of his coke bottle glasses and said "I just keep learning new things."